Collaborative Workshop LAB on feminist digital strategies between art and activism, within the framework of Dgtl fmnsm Labor #disconnect
Inhalt / Content
Was verstehen wir unter digital feminism?
Welche Arten von Versammlungen werden online ermöglicht oder erschwert?
Welche Möglichkeiten sind noch nicht ausgeschöpft?
Welche Kämpfe brauchen mehr Unterstützer*innen?
Wie lassen sich Verbindungen stärken? Und wie werden wir auf Potentialitäten und Lücken aufmerksam? Wie bleiben wir unabhängig und dennoch sichtbar?
Im Workshop-Labor möchten wir uns zusammen eine Übersicht zu digitalen, feministischen Strategien verschaffen und so an einem erweiterbaren Archiv arbeiten, auf das wir alle zugreifen können. Im direkten Austausch teilen und diskutieren wir unterschiedliche Positionen, Texte, Medien. Wir suchen nach Möglichkeiten einer gemeinsamen Vernetzung, die vielleicht auch das Prinzip Vernetzung selbst hinterfragt. Wie können wir Gruppen und Ansätze aus Kunst, Pop, Aktivismus und Wissenschaft verbinden und zusammen kämpferisch sein?
Den zweiten Teil des Workshops übernehmen unsere Kompliz*innen online. An verschiedenen digitalen Stationen werden aktivistische und künstlerische Ansätze vorgestellt und in gemeinsamen Übungen und Kurzworkshops partizipierbar.
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Workshop concept by soppa&bleck
(dgtl fmnsm Artists in Residence)
In the field of digital cultural mediation soppa&bleck elaborate situations of coming together from a power-critical perspective.
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Online Workshops by
Arpana Aischa Berndt & Mine Wenzel
\Let's talk about Alliances\"
www.instagram.com/a_aischa/
www.instagram.com/mine_undclaudia/
die Blaue Distanz (Anna Erdmann & Franziska Goralski)
www.franziskagoralski.de
www.annakli.de/
Christina Harles
\"Art in Context\"
An intersectional feminist perspective on digital politics critically accompanies and analyses the entanglement of forms of discrimination based on gender, social origin or race in the context of new technologies and digital cultures.
Unfit MakeUp ist ein performatives Workshopformat mit beautybloggers1&2, in dem wir zeigen, wie man sich mit herkömmlicher Kosmetik, und der ihr verschriebenen Anwendungslogik entgegen, „unfit“ schminkt. In dem Live Tutorial für dgtl fmnsm 2019 wird Beautyblogger 1 zeigen, wie man die Imperfektionen des irl Lebens mit alltäglichen Mitteln unterstützen kann. In dem Workshop Unfit MakeUp lernen wir die breiteren Anwendungsmöglichkeiten von Kosmetika kennen, die die Kosmetikindustrie gerne verschweigt. Beautyblogger 1 so zu sich selber: “Hey, ich hab heute echt keinen Bock zu funktionieren, life nervt, ja, es geht mir nicht gut!“ Unfit MakeUp ist die Kosmetik des Widerstandes. Als Insider, wissen Beautyblogger 1 und Beautyblogger 2 genau was nicht geht, Schminken aber immer! Sehe unbedingt unperfekt aus. Jeder kann nicht schön sein!
Unfit MakeUp ist ein Konzept von Toni Mosebach und Nadja Buttendorf.
We are very much looking forward to our Live-Online-Show "SCENE/✔SEEN?" as part of our lab on the 23rd, curated by Shawné Michaelain Holloway, including works by Georges Jacotey (@georgesjacotey), Nicole Killian (@saucyunicorn), Samuel H Goldstein (@diy_cowbell), Jessie Darnell (@hotmiserablewife), X’ene Sky (@xenesky)
Follow our channel to see the show: https://t.me/dgtlfmnsm1
GLEAM presents its 4th programme, SCENE/✔SEEN?, LIVE & ONLINE, in collaboration with STRAPP, a design collaborative, lead by SHAWNÉ MICHAELAIN HOLLOWAY, that reimagines sex toys for a queerer future.
Through a series of commissioned performances we invite a group of international artists to lead a small rendezvous in the Telegram App messaging channel SCENE/✔SEEN? held at the url :https://t.me/dgtlfmnsm1
From their own moments, in their own locations, they message with us amidst the immediacy of text, the ghosts of videos, and impressions of photos from the past. This hour invites us to convene quietly together to listen to the voices and stories of folks meditating on what it means to feel seen or “scene," to feel understood by others, to have their sent messages “seen” (read: received,) to be "read," to feel connected to those who are like us, or to not.
Anyone in the world is invited to join in the conversation, make sure you’re registered with username on the Telegram app! Then, go to the url https://t.me/dgtlfmnsm1 to join the channel. Those of you not on Telegram : see if you can find a friend or stranger who is. Ask to share headphones, ask to sit close, ask to watch together.
The uninterrupted content broadcast connects us all to the world wide web and the emotions that get caught there in its constantly flowing stream of data. SCENE/✔SEEN? is at once an archive, a film, a play, a movie, a chat room. GLEAM, as it has every year, will continue to interrogate the following : how do we connect with others who are far away? How do we feel their presence and intention through a space that always already distorts the transmission? Does a notification alert evoke yearning? What about warmth?
Samuel H Goldstein
Samuel H Goldstein (1992, USA) is a multimedia artist and art facilitator working in Chicago, IL. Known for creating the datamoshing application GoldMosh, co-founding the TCC Chicago art space, and playing drums in the band Izzy True.
Nicole Killian
Nicole Killian's work uses graphic design, publishing, video, objects and installation to investigate how the structures of the internet, mobile messaging, and shared online platforms affect contemporary interaction and shape cultural identity from a queer perspective. They are interested in the repetition, looping, and dissemination of content. They think about catnip and bird toys, scratching and the depths (or voids) of the desktop folder. Nicole is currently the co-director of the Design, Visual Communications MFA and Assistant Professor in the Department of Graphic Design at Virginia Commonwealth University and recently served as guest editor for the Walker Art Center's Soundboard and organized How Will We Queer Design Education without Compromise?
Jessie Darnell
Jessie Darnell is a 2D and 3D video/media/collage artist currently residing in Berlin, Germany. She has a BFA from The School of the Art Institute of Chicago. Her work explores themes of sexual submission, power dynamics, self-destruction, and performative roles for a camera.
Georges Jacotey
GEORGES JACOTEY (b. 1987) is a greek artist who works with performance and digital media. They are currently invested in issues of queer representation and resistance, the divide between cultural hegemonies and subcultures, western history and privilege, and the headache of keeping up under constant crisis. Their work has been recently shown at 3hd Festival (Berlin), Manifesta 11 (Zürich), Interrupted =" Cyfem and Queer (Berlin), Scottish Queer International Film Festival (Glasgow) and dgtl-fmnsm Festival (Hellerau-Dresden), among other places.
X’ene Sky
X’ene Sky is a pianist/singer/writer/little slave girl making art about her various lovers and loving. Based in Houston/Los Angeles.
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The live online show GLEAM brings together international performers who create media-focused works and reflect queer modernity. The setting for the online show opens up a shared space for reception. Here, experiences which are normally separate and belong to the private sphere of our everyday digital lives are turned into an analogue shared experience that transforms digital communities into analogue space, simultaneously exploring and highlighting both sides. This temporary community clicks through current and future stances taken by feminist Internet art, examining how they overlap to explore the limits of digital and physical presence. The performers from the dgtl fmnsm network take part in the event via live link-ups; the performance takes place in their chosen location, often in their private rooms or studios. When is a performance at a theatre a performance, and do the performers have to be physically present?
Curator : shawné michaelain holloway
Tarren Johnson is a choreographer and artist from Southern California. She works with performance, video, sculpture and writing. She began dancing and choreographing as a child and continued her work while studying at California Institute of the Arts. She is based in Berlin.
Her recent work includes Dripfeed.tv (Published at Dripfeed.tv, 2018) in collaboration with Joel Cocks and is concerned with the evolution of media consumption and its influence on personal and collective histories.
The Settlers Lounge / Performance
The Settlers Lounge, where you can hear yourself on the radio, and see yourself on television. The Settlers Lounge displays a mutating history of a fictional.
Her current performance series The Settlers Lounge ponders history as a malleable material, where collective recollections of the past are invented for the present. Several performances throughout the piece rest between intentions, making a place for performance that lives without the tethering to a particular media but rather in a state of ultimate surveillance.
During her residency at Hellerau European Centre of the Arts Tarren invites Joel Cocks (Artist) Forrest Moody (Composer, Pianist) to continue with the development of the installation and musical composition of The Settlers Lounge.
Written & Directed by Tarren Johnson I Installation in collaboration with Joel Cocks I Musical Composition in collaboration with Forrest Moody I Music Performed by: Forrest Moody
Performed by: Andrew Clarke, Shade Théret, Oscar Bannon, Tarren Johnson
WARNING: Strobe Lights
In this performative lecture we will explore how our embodiments can melt categories, matters, and en/counter algorithmic and other classifications. Through melting, making trans*lucent and sharing we aim to warmly critique current modes of governance. Exploring the political dimension of classification as it interacts with trans*gender and GNC bodies, our contribution will uphold artists, designers and coders working on computational objects, games and methodologies that make power relations leaky and categories permeable. We will look at leaking and permeability, not opposed to, but as core practices embedded into computation, and play with distributed agencies and actants within the room. Remembering that tech is embedded and embodied our presentation will turn towards the material discursive entanglements that are shyed away from in popular representations of tech as disembodied, and focus our attention towards those already performing the otherwise.
Loren Briton is an interdisciplinary artist, thinker and curator based in-between Berlin, DE and New York City, US. They are concerned with on/offline, trans*gender people, class, how to communicate and intersectional trans*feminism. They investigate things by reading, holding, playing, and translating to cross, disciplinary and class borders. Further info about their work can be found at: lorenbritton.com.
Isabel Paehr is involved in the production and arrangement of virtual matter. She develops experimental games and material speculations, performs, writes and codes in collaborative working groups. Paehr is 1/2 of the Berlin based game studio Topicbird.More info: isabelpaehr.com/projects/
In their collaborative practice, Loren and Isabel research melting and tech infrastructures through material experiments.
American singer, composer-producer, and performer, Lyra Pramuk's work is far-arcing by necessity, accomplishing a remarkably broad practice with a brevity of movement.
Pramuk's starting point is listening, an empathic response to the contemporary cultural landscape. This likewise tethers her between various projects and forms. Citing musical collaborators such as Holly Herndon and Colin Self, collaborations with the visual artist Donna Huanca, and an ongoing international performance schedule, there are a variety of creative nodes that come to feed back into Pramuk's practice. These experiences are directly transposed into possibilities for the voice, affording a vocal space that is one of texture as much as lingual clarity. The impulse for adaptation embedded in Pramuk's body of work is revealed here, too, lending some perspective to the movement between club spaces and concert halls, channeling sensuous, personal experience into critical ideas for community.
Movement improvisation by Fernando Casablancas
Tarren Johnson is a choreographer and artist from Southern California. She works with performance, video, sculpture and writing. She began dancing and choreographing as a child and continued her work while studying at California Institute of the Arts. She is based in Berlin.
Her recent work includes Dripfeed.tv (Published at Dripfeed.tv, 2018) in collaboration with Joel Cocks and is concerned with the evolution of media consumption and its influence on personal and collective histories.
Alla Popp is a digital media and performance artist. Born in Russia, she studied Digital Media and Performance at the University of Art and Design Offenbach, Athens School of Fine Arts and Tongji University Shanghai. Her work is mainly focused on the emancipatory potentials of digital technology for the future of humanity at large.
https://homepage-bbb.com/
Omsk Social Club forks traditional methods of Live Action Role Play (Larp) and Real Game Play (rgp) to induce states that could potentially be a fiction or a yet, unlived reality. Omsk works closely with networks of players, everything is unique and unrehearsed. The game designs and installations they create examine virtual egos, popular experiences and political phenomena. Allowing the works to become a dematerialized hybrid of modern-day culture alongside the participant’s unique personal experiences. In the past Omsk Social Club’s RGP’s that have introduced landscapes and topics such as rave culture, survivalism, catfishing, desire& sacrifice, positive trolling, algorithmic strategies and decentralized cryptocurrency.
They have exhibited across Europe in various institutions, galleries and off sites such as Martin Gropius Bau, House of Electronic Kunst Basel, Migros Museum für Gegenwartskunst, Zürich, HKW, Berlin, CCCB, Barcelona and Onasis Foundation, Athens. They were recently awarded The New Networked Normal Project Grant in 2018 with !Medien Gruppe Bitniks for their Cryptorave series and were included in The Anti Athens Biennale (2018), Transmediale Festival (2019), Impakt Festival (2018) and The Influencers(2018).
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American singer, composer-producer, and performer, Lyra Pramuk's work is far-arcing by necessity, accomplishing a remarkably broad practice with a brevity of movement.
Pramuk's starting point is listening, an empathic response to the contemporary cultural landscape. This likewise tethers her between various projects and forms. Citing musical collaborators such as Holly Herndon and Colin Self, collaborations with the visual artist Donna Huanca, and an ongoing international performance schedule, there are a variety of creative nodes that come to feed back into Pramuk's practice. These experiences are directly transposed into possibilities for the voice, affording a vocal space that is one of texture as much as lingual clarity. The impulse for adaptation embedded in Pramuk's body of work is revealed here, too, lending some perspective to the movement between club spaces and concert halls, channeling sensuous, personal experience into critical ideas for community.
Movement improvisation by Fernando Casablancas
Loren Briton is an interdisciplinary artist, thinker and curator based in-between Berlin, DE and New York City, US. They are concerned with on/offline, trans*gender people, class, how to communicate and intersectional trans*feminism. They investigate things by reading, holding, playing, and translating to cross, disciplinary and class borders. Further info about their work can be found at: lorenbritton.com.
Isabel Paehr is involved in the production and arrangement of virtual matter. She develops experimental games and material speculations, performs, writes and codes in collaborative working groups. Paehr is 1/2 of the Berlin based game studio Topicbird.More info: isabelpaehr.com/projects/
In their collaborative practice, Loren and Isabel research melting and tech infrastructures through material experiments.
In her works, the dgtl fmnsm curator-in-residence shawné michaelain holloway examines the correlation between identities and social networks. To achieve this, her interdisciplinary work with sounds, visual material and performances makes use of the freedom of the Internet from various perspectives, while at the same time subjecting it to critical examination. Through her pieces on the subjects of gender, control, identity and sexuality, she studies aspects of her own self-depiction and the way others perceive it. Attracted by all kinds of online scenes, she makes the most of the fact that she can digitally change personas and independently defines herself as who she wants to be, even in the face of her own moral conflicts – alternating between fiction, her real, socially shaped body and learned dogmas. Back at the first dgtl fmnsm festival, shawné michaelain holloway developed the concept for the live online show GLEAM, which will be on the programme again this year.
In addition to her arrangement as artist-in-residence for the Center for Afrofuturist Studies in Iowa, she has also already presented her works in New York, Paris, Helsinki and London.
Samuel H Goldstein (1992, USA) is a multimedia artist and art facilitator working in Chicago, IL. Known for creating the datamoshing application GoldMosh, co-founding the TCC Chicago art space, and playing drums in the band Izzy True.
@diy_cowbell
Nicole Killian's work uses graphic design, publishing, video, objects and installation to investigate how the structures of the internet, mobile messaging, and shared online platforms affect contemporary interaction and shape cultural identity from a queer perspective. They are interested in the repetition, looping, and dissemination of content. They think about catnip and bird toys, scratching and the depths (or voids) of the desktop folder. Nicole is currently the co-director of the Design, Visual Communications MFA and Assistant Professor in the Department of Graphic Design at Virginia Commonwealth University and recently served as guest editor for the Walker Art Center's Soundboard and organized How Will We Queer Design Education without Compromise?
@saucyunicorn
Jessie Darnell is a 2D and 3D video/media/collage artist currently residing in Berlin, Germany. She has a BFA from The School of the Art Institute of Chicago. Her work explores themes of sexual submission, power dynamics, self-destruction, and performative roles for a camera.
@hotmiserablewife
GEORGES JACOTEY (b. 1987) is a greek artist who works with performance and digital media. They are currently invested in issues of queer representation and resistance, the divide between cultural hegemonies and subcultures, western history and privilege, and the headache of keeping up under constant crisis. Their work has been recently shown at 3hd Festival (Berlin), Manifesta 11 (Zürich), Interrupted =" Cyfem and Queer (Berlin), Scottish Queer International Film Festival (Glasgow) and dgtl-fmnsm Festival (Hellerau-Dresden), among other places.
@georgesjacotey
X’ene Sky is a pianist/singer/writer/little slave girl making art about her various lovers and loving. Based in Houston/Los Angeles.
@xenesky
:Loren Britton & Isabel Paehr. Making Trans*lucent: En/Countering Categorization
In this performative lecture we will explore how our embodiments can melt categories, matters, and en/counter algorithmic and other classifications. Through melting, making trans*lucent and sharing we aim to warmly critique current modes of governance. Exploring the political dimension of classification as it interacts with trans*gender and GNC bodies, our contribution will uphold artists, designers and coders working on computational objects, games and methodologies that make power relations leaky and categories permeable. We will look at leaking and permeability, not opposed to, but as core practices embedded into computation, and play with distributed agencies and actants within the room. Remembering that tech is embedded and embodied our presentation will turn towards the material discursive entanglements that are shyed away from in popular representations of tech as disembodied, and focus our attention towards those already performing the otherwise.
Loren Briton is an interdisciplinary artist, thinker and curator based in-between Berlin, DE and New York City, US. They are concerned with on/offline, trans*gender people, class, how to communicate and intersectional trans*feminism. They investigate things by reading, holding, playing, and translating to cross, disciplinary and class borders. Further info about their work can be found at: https://lorenbritton.com/.
Isabel Paehr is involved in the production and arrangement of virtual matter. She develops experimental games and material speculations, performs, writes and codes in collaborative working groups. Paehr is 1/2 of the Berlin based game studio Topicbird.More info: http://isabelpaehr.com/projects/
In their collaborative practice, Loren and Isabel research melting and tech infrastructures through material experiments.
Trancing Wake / Interaktive Installation
The idea of disconnecting into a between state became the impetus for the immersive installation “Trancing Wake” by Omsk Social Club for this year's digital feminism. Looking at the behavioural states users take on under technology that often allow themselves to leave their physical bodies for the screen. In these moments the wet-ware heats up, a term used in Buddhism indicating the brain as does the hardware of the computer but the body stays still, cold, stiff, in a trance. We often drop into technology in a meditative state, like a psychonaut developing subtle models of ourselves for better or worse these sense of selves are only localised in our minds a type of spiritual vandalism on the body in order to reach the next level of the technological soul. “Trancing Wake” encapsulates this inbetween state, the moment of not quite leaving the body nor the screen, it mimics a dreamlike landscape that the user can morph to its own technological and physical needs.
In this performative lecture we will explore how our embodiments can melt categories, matters, and en/counter algorithmic and other classifications. Through melting, making trans*lucent and sharing we aim to warmly critique current modes of governance. Exploring the political dimension of classification as it interacts with trans*gender and GNC bodies, our contribution will uphold artists, designers and coders working on computational objects, games and methodologies that make power relations leaky and categories permeable. We will look at leaking and permeability, not opposed to, but as core practices embedded into computation, and play with distributed agencies and actants within the room. Remembering that tech is embedded and embodied our presentation will turn towards the material discursive entanglements that are shyed away from in popular representations of tech as disembodied, and focus our attention towards those already performing the otherwise.
Loren Briton is an interdisciplinary artist, thinker and curator based in-between Berlin, DE and New York City, US. They are concerned with on/offline, trans*gender people, class, how to communicate and intersectional trans*feminism. They investigate things by reading, holding, playing, and translating to cross, disciplinary and class borders. Further info about their work can be found at: lorenbritton.com.
Isabel Paehr is involved in the production and arrangement of virtual matter. She develops experimental games and material speculations, performs, writes and codes in collaborative working groups. Paehr is 1/2 of the Berlin based game studio Topicbird.More info: isabelpaehr.com/projects/
In their collaborative practice, Loren and Isabel research melting and tech infrastructures through material experiments.
American singer, composer-producer, and performer, Lyra Pramuk's work is far-arcing by necessity, accomplishing a remarkably broad practice with a brevity of movement.
Pramuk's starting point is listening, an empathic response to the contemporary cultural landscape. This likewise tethers her between various projects and forms. Citing musical collaborators such as Holly Herndon and Colin Self, collaborations with the visual artist Donna Huanca, and an ongoing international performance schedule, there are a variety of creative nodes that come to feed back into Pramuk's practice. These experiences are directly transposed into possibilities for the voice, affording a vocal space that is one of texture as much as lingual clarity. The impulse for adaptation embedded in Pramuk's body of work is revealed here, too, lending some perspective to the movement between club spaces and concert halls, channeling sensuous, personal experience into critical ideas for community.
***
Tarren Johnson is a choreographer and artist from Southern California. She works with performance, video, sculpture and writing. She began dancing and choreographing as a child and continued her work while studying at California Institute of the Arts. She is based in Berlin.
Her recent work includes Dripfeed.tv (Published at Dripfeed.tv, 2018) in collaboration with Joel Cocks and is concerned with the evolution of media consumption and its influence on personal and collective histories.
The Settlers Lounge / Performance
The Settlers Lounge, where you can hear yourself on the radio, and see yourself on television. The Settlers Lounge displays a mutating history of a fictional.
Her current performance series The Settlers Lounge ponders history as a malleable material, where collective recollections of the past are invented for the present. Several performances throughout the piece rest between intentions, making a place for performance that lives without the tethering to a particular media but rather in a state of ultimate surveillance.
During her residency at Hellerau European Centre of the Arts Tarren invites Joel Cocks (Artist) Forrest Moody (Composer, Pianist) to continue with the development of the installation and musical composition of The Settlers Lounge.
Written & Directed by Tarren Johnson I Installation in collaboration with Joel Cocks I Musical Composition in collaboration with Forrest Moody I Music Performed by: Forrest Moody
Performed by: Andrew Clarke, Shade Théret, Oscar Bannon, Tarren Johnson
WARNING: Strobe Lights
Alla Popp is a digital media and performance artist. Born in Russia, she studied Digital Media and Performance at the University of Art and Design Offenbach, Athens School of Fine Arts and Tongji University Shanghai. Her work is mainly focused on the emancipatory potentials of digital technology for the future of humanity at large.
https://homepage-bbb.com/
Unfit MakeUp ist ein performatives Workshopformat mit beautybloggers1&2, in dem wir zeigen, wie man sich mit herkömmlicher Kosmetik, und der ihr verschriebenen Anwendungslogik entgegen, „unfit“ schminkt. In dem Live Tutorial für dgtl fmnsm 2019 wird Beautyblogger 1 zeigen, wie man die Imperfektionen des irl Lebens mit alltäglichen Mitteln unterstützen kann. In dem Workshop Unfit MakeUp lernen wir die breiteren Anwendungsmöglichkeiten von Kosmetika kennen, die die Kosmetikindustrie gerne verschweigt. Beautyblogger 1 so zu sich selber: “Hey, ich hab heute echt keinen Bock zu funktionieren, life nervt, ja, es geht mir nicht gut!“ Unfit MakeUp ist die Kosmetik des Widerstandes. Als Insider, wissen Beautyblogger 1 und Beautyblogger 2 genau was nicht geht, Schminken aber immer! Sehe unbedingt unperfekt aus. Jeder kann nicht schön sein!
Unfit MakeUp ist ein Konzept von Toni Mosebach und Nadja Buttendorf.
In her works, the dgtl fmnsm curator-in-residence shawné michaelain holloway examines the correlation between identities and social networks. To achieve this, her interdisciplinary work with sounds, visual material and performances makes use of the freedom of the Internet from various perspectives, while at the same time subjecting it to critical examination. Through her pieces on the subjects of gender, control, identity and sexuality, she studies aspects of her own self-depiction and the way others perceive it. Attracted by all kinds of online scenes, she makes the most of the fact that she can digitally change personas and independently defines herself as who she wants to be, even in the face of her own moral conflicts – alternating between fiction, her real, socially shaped body and learned dogmas. Back at the first dgtl fmnsm festival, shawné michaelain holloway developed the concept for the live online show GLEAM, which will be on the programme again this year.
In addition to her arrangement as artist-in-residence for the Center for Afrofuturist Studies in Iowa, she has also already presented her works in New York, Paris, Helsinki and London.
happy new tears plays machine processed music for the melancholy self. Her sets are always brimming with atmospheric and emotional genre defying music, inviting you to immerse into her sonic world.
Roaming between the concrete cities of Berlin and Rotterdam, she started producing with the support of Berlin Community Radio and is one of the latest graduates of the No Shade program. No Shade is a club night series and DJ training program for female, non-binary and trans DJs based in Berlin.
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