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  • interFACE digital pleasure center

    The interFACE Digital Pleasure Center is a performance space that immerses visitors in a speculative and spectacular world. In the center environment, physical and digital bodies, software and hardware are interwoven into a singular, novel organism that enables entirely new perceptions of physicality.

     

    interFACE combines principles of gaming, world building and LARP into an immersive and hybrid theatrical experience. In its dramaturgy, the Digital Pleasure Center breaks with dominant narratives around digitality and explores alternative dynamics. Audiences become active visitors to the center and can try out six aesthetic-performative treatments, experiments in which they interact with a variety of digital technologies to reimagine embodied sensations and relationships between themselves and tech. Each treatment is based on a different queer/feminist/decolonial narrative around technology. 

     

    The goal of the collaborative, subversive experience is to generate Digital Pleasure, a lustful and emotional exchange between humans and technology that emerges from hacking & queering interactions between the audience and tech along their shared interfaces. This generative energy flow is palpable for both sides- not only for the audience, but also for the technology and devices themselves. The center is intended as a regeneration space for all – from humans to smartphones. For Pleasure is not (only) hedonistic enjoyment, but also a political strategy!

     

    During their entire stay at the center, the audience only interacts with tech. They are accompanied by the chatbot Hot_Bot, which offers individualized suggestions for their visit via Telegram. Depending on the interests and decisions made, the dramaturgy varies – the stay at the center looks different for each person.

     

    The narration goes: Whenever a body or tech feels Digital Pleasure during a treatment, this Pleasure Energy is fed into the Center via its networks and routers. Once a certain intensity is reached, the energy is released back into the space by the performers of the dgtl fmnsm collective in the form of Pleasure Rituals.

     

    Through the performative interactions in the treatments, the boundaries between humans and technology are questioned, as well as the homogenous perspective of human experiences in techno-capitalist neoliberalism. 

     

    Duration: 90 Min

    Language: English

     

    “ALL BODIES ARE IMAGINATIVE. ALL BODIES ARE CONVOLUTED”

    “REGENERATE YOUR PIXELS AND CELLS”

    ”PLEASURE FLOWS BOTH WAYS”

    Concept:
    allapopp, Sarah Ama Duah, Ulla Heinrich, Philisha Kay, Echo Can Luo, Teresa Schönherr
    Ulla Heinrich for dgtl fmnsm

    Performance:
    Andara Shastika, Philisha Kay, Lyla Palmer, allapopp

    Artistic Direction:
    Ulla Heinrich, Philisha Kay

    Technical Direction:
    allapopp

    Production Management:
    Ulla Heinrich

    Project Assistance:
    Alina Homann

    Treatment Design:
    Crotch Weather Station: OASIS/dotwet:  Iyo Bisseck, Petja Ivanova, Rain Rose, Kaya Zakrzewska Mozilla Hubs Design: Echo Can Luo Wrinkle Beauty: Sarah Ama Duah VR “Unstable Matter”: Lisa Kaschubat Curse Tablet Station: Andara Shastika

    Face Filter:
    allapopp

    Video Editing Log-In:
    Mira Rachel Hanak

    Fonts:
    Lion Sauterbach

    Video Editing & Concept Documentary:
    Lion Sauterbach

    Audio Design Mozilla Hubs & Support:
    Alexander Sahm

    Pleasure Rituals:
    Sarah Ama Duah, Rain Rose, Andara Shastika, Raras Umaratih, Kaya Zakrzewska

    Visual Design:
    Teresa Schönherr

    Costume Design:
    Sarah Ama Duah

    Dramaturgical Advice:
    Anan Fries

    Space Design:
    Ulla Heinrich, allapopp

    Sound Design:
    allapopp

    Programming Chat Bot:
    Esben Holk

    Furniture from the exhibition ‚Power Banks’:
    Britta Thie

    Credits:
    dgtl fmnsm / HAU Hebbel am Ufer. Co-production: Netzwerk Medien Kunst Dresden, HELLERAU- European Center for the Arts Dresden, depart.one

    Supported by: Kulturstiftung des Freistaates Sachsen, Amt für Kultur und Denkmalschutz der Landeshauptstadt Dresden. This project is co-financed by tax funds on the basis of the budget approved by the Saxon State Parliament.